![]() The body is identified as that of the afore-mentiond Dr. Some way away, country doctor Matt Hastings ( John Agar) gets called into town by the sheriff ( Nestor Paiva of Creature fame) to investigate a deformed human body found dead in the desert. They have been perfecting a new form of super-nutrient, aided by a radioactive isotope, which makes animals grow super-large in a very short time, without the need for additional food. Jacobs (both played by stuntman Eddie Parker) in a remote house in the desert on some secret experiment. Carroll) works alongside two esteemed colleagues, Dr. However, the plot of the movie isn’t so much atomic age flying saucer fright, as it is a good old-fashioned thirties mad scientist tale. Nestor Paiva as the town sheriff and John Agar as the leading man. Both It Came from Outer Space and Them!had made good use of the Californian desert as the backdrop for weird horrors, and there was no reason to change this obviously successful (and cheap) setting. When the time came for Universal to release its own giant critter film, it was only natural that Alland & Arnold would be the duo responsible for bringing the spider to life. In 1954 Warner had a smash hit with Them! ( review), the original giant insect movie, featuring radioactively mutated ants. The duo made the surprise hit It Came from Outer Space (1953, review) and the monster classic Creature from the Black Lagoon. Universal’s science fiction specialists in the fifties were producer William Alland and director Jack Arnold. And this movie is without a doubt the best of Universal’s post-1954 sci-fi horror films. Tarantula isn’t the first time we’ve seen giant spiders on films, but it is the first time the spider has taken the size of a house. So, the studio decided, space rockets and far-off planets still weren’t the money-cows they needed, and for the rest of the decade decided to play it safe with an ever-declining line of mutated insects, arachnids and other critters. Smelling success for science fiction in general, Universal splashed out with a big-budget space epic, This Island Earth ( review) in 1955, and even if the film made back its budget, it wasn’t the hit they had hoped for. The hugely successful re-release of RKO:s King Kong (1933, review) in 1952 spurred Warner to take a chance with The Beast from 20,000 Fathoms (1953, review), and the old masters of the monster genre, Universal, answered with Creature from the Black Lagoon (1954, review). No, these were the monsters of the atomic age – mutants, radioactive giants and overgrown insects. But unlike in the thirties, the monsters were no longer gothic undead ripped from the pages of literary classics and folklore. Metacritic: N/A.ġ955 stood in the middle of a decade that marked the second Golden Age for monster movies. Carroll, Nestor Paiva, Eddie Parker, Clint Eastwood. This 1955 classic is not director Jack Arnold’s best work, but even so, it’s one of the best giant critter movies of the 50’s. RDS also has active projects in development for film & television.A scientist trying to end hunger creates a giant spider that runs amok in a small desert community. Rough Draft Studios is known for its blending of 2-D with computer animation, or non-photorealistic rendering which it first used on The Maxx and further utilized with Futurama and The Simpsons Movie. The Studio is a collective of incomparable talents spanning directors, animators, storyboard artists, designers, painters, and storytellers. Rough Draft Korea quickly built a strong portfolio in the animation business with shows like their first series The Maxx in 1995, which was nominated for an Annie Award. ![]() In 1992, Rough Draft Studios began producing animation for The Simpsons and then for Beavis and Butt-Head in 1993. In addition to series work they have produced numerous pilots for television, and feature work including The Simpsons Movie, and multiple theatrical shorts.Īfter working on The Ren & Stimpy Show, many other shows requested the assistance of Rough Draft Korea in animation and ink & paint. RDS has produced over 300 half-hours of primetime animation including: Disenchantment (Netflix), Tarantula (TBS), Clash-A-Rama (YouTube), Futurama (Fox and Comedy Central), Full English (UK Channel 4), Napoleon Dynamite (Fox), Sit Down, Shut Up (Fox), Drawn Together (Comedy Central), Baby Blues (The WB), and The Maxx (MTV). The studio was founded in Van Nuys, Los Angeles, California by Gregg Vanzo in 1991. ![]() It is an American animation production studio based in Glendale, California, with a second studio in Glendale and its sister studio Rough Draft Korea located in Seoul, South Korea. (RDS) is an award winning animation studio specializing in traditional and computer animation for television and film. ![]()
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